This piece is an example of a particular type of long-form song of Iraqi Turkmen, called qoyrat (also commonly spelled hoyrat, but pronounced khoyrat). The qoyrats are formed around a 4-line quatrain and defined by their style. This one is in the beshiri (beşiri) style.
Qoyrats are also sung by Turkmen in Southern and Southeastern Anatolia – it’s a style similar to the bozlak, another epic folk song type from the region. In Turkish musical parlance qoyrat could be described as uzun hava – a free-rhythm song that could also be a lament, a poem, a play on words, or a wail. The term qoyrat in Turkish actually means “vulgar” or “boorish” – though this piece is anything but. Beginning with the strains of a typical sounding Middle Eastern ensemble, with qanun, violin, flute, and percussion, the vocals soon take over.
It is a powerful love song and lament – sung in Turkish, albeit in a Turkish that might sound strange, or indecipherable, to a Turkish-speaking teenager of today. There are universally recognizable moments, however – for instance, when the singer, Ahmad, exclaims “aman aman” mid-way through the song…”aman” being understood from the Balkans to the Indian Ocean as an exclamation of grief and suffering.
Abdul-Wahad Ahmad was known as “Abdülvahit Küzecioğlu” in Turkey. Born in 1924 in Kirkuk, Ahmad had a lengthy recording career, even recording for the BBC. He died in 2007.
